#: locale=en
## Action
### URL
LinkBehaviour_12D03171_362E_2E31_41C5_F799A0533F68.source = https://drive.usercontent.google.com/u/0/uc?id=156ncISCawcC68qmGnDDpbsuucZWYTPaL&export=download
LinkBehaviour_D1041894_E8EA_D11D_41E3_50A17F3AC650.source = https://drive.usercontent.google.com/u/0/uc?id=156ncISCawcC68qmGnDDpbsuucZWYTPaL&export=download
LinkBehaviour_6A673CE0_3198_3A67_419B_BD0C3B82A5F1.source = https://drive.usercontent.google.com/u/0/uc?id=1ORNz-IqU2NUvW1gTt61S02XdQFsRU6Q-&export=download
LinkBehaviour_86534E49_FF0B_C649_41E8_0CB95222E66B.source = https://drive.usercontent.google.com/u/0/uc?id=1ORNz-IqU2NUvW1gTt61S02XdQFsRU6Q-&export=download
LinkBehaviour_7F4D51DB_FF0B_3A48_41ED_A0DA5800FEB3.source = https://drive.usercontent.google.com/u/0/uc?id=1SwrCAIOaVzj_a_wyXLhQU1dGR6crKDZV&export=download
LinkBehaviour_12D3A171_362E_2E4E_41C7_43A1620C3599.source = https://drive.usercontent.google.com/u/0/uc?id=1SwrCAIOaVzj_a_wyXLhQU1dGR6crKDZV&export=download
LinkBehaviour_D1CCEE9E_E8EA_D10D_41CB_1F1B61AEDD1E.source = https://drive.usercontent.google.com/u/0/uc?id=1eLoUW-FJ7Po25Zv0ODZMnfu6yWW7m-fk&export=download
LinkBehaviour_6A7ACCDF_3198_3A5A_41C2_AE9C090D8113.source = https://drive.usercontent.google.com/u/0/uc?id=1eLoUW-FJ7Po25Zv0ODZMnfu6yWW7m-fk&export=download
LinkBehaviour_1CDEA957_086B_1EC8_4195_4138B73EE6B7.source = https://elleboutique.com/elle-80th-anniversary-elle-boutique/the-capsule-collection/the-capsule-collection/
LinkBehaviour_6A153C5C_3198_3A5E_41BF_8ED6F39DF349.source = https://elleboutique.com/elle-80th-anniversary-elle-boutique/the-capsule-collection/the-capsule-collection/
LinkBehaviour_6A155C5D_3198_3A5E_41C0_DEAACA200088.source = https://www.artcurial.com/en/sales/6281
LinkBehaviour_C38EF484_F863_8D04_41DB_6436BB320646.source = https://www.artcurial.com/en/sales/6281
LinkBehaviour_1D5953D5_0869_11C8_4185_2E6DABE9AD12.source = https://www.artcurial.com/en/sales/6281
LinkBehaviour_90C85DCB_F5BA_F49A_41ED_EF707EE5731A.source = https://www.artcurial.com/en/sales/6281?
LinkBehaviour_96653288_F5BD_0C86_41ED_9117089707DD.source = https://www.artcurial.com/en/sales/6281?
LinkBehaviour_6A1C6C74_3198_3A6F_41BB_EFE2096A28ED.source = https://www.carefrance.org/
LinkBehaviour_6A159C5D_3198_3A59_41B6_C9AB2BC35AC6.source = https://www.carefrance.org/
LinkBehaviour_1ECE252B_3088_4BF9_41C6_0D7F159256B8.source = https://www.carefrance.org/
## Media
### Title
model_04591380_3F53_CC32_41C4_7FF2E20E1B3A.label = ELLE Exhibition
## Skin
### Button
Button_1D30F072_086B_2EC8_419F_023B2E13A6D2_mobile.label = ARTCURIAL CATALOG
Button_1D30F072_086B_2EC8_419F_023B2E13A6D2.label = ARTCURIAL CATALOG
Button_1B64C672_0869_12C8_419F_89C0806A01FF_mobile.label = CAPSULE COLLECTION
Button_1B64C672_0869_12C8_419F_89C0806A01FF.label = CAPSULE COLLECTION
Button_1ECEA529_3088_4BF9_41C6_E79AFA284680.label = CARE WEBSITE
Button_1ECEA529_3088_4BF9_41C6_E79AFA284680_mobile.label = CARE WEBSITE
Button_E36CCFB5_F4BB_148E_41E1_5A14491C4567.label = EXPLORE THE AUCTION CATALOG
Button_C988D209_F44B_0F87_41E7_A9D28269BDC8_mobile.label = EXPLORE THE AUCTION CATALOG
Button_7388E062_E9BA_D134_41E5_CE34CF07455D_mobile.label = English
Button_0C464DC9_3B86_7241_41C5_DE513EAB7E20.pressedLabel = English
Button_7388E062_E9BA_D134_41E5_CE34CF07455D_mobile.pressedLabel = English
Button_0C464DC9_3B86_7241_41C5_DE513EAB7E20.label = English
Button_171B6796_1169_E598_41B6_95706F37E46E_mobile.label = Français
Button_171B6796_1169_E598_41B6_95706F37E46E_mobile.pressedLabel = Français
Button_0C47EDCB_3B86_7241_41C8_AE2F1EAB11EE.label = Français
Button_0C47EDCB_3B86_7241_41C8_AE2F1EAB11EE.pressedLabel = Français
Button_C87C69E8_E879_7334_41EC_21A47C51C880.label = Got It
Button_C87C69E8_E879_7334_41EC_21A47C51C880_mobile.label = Got It
Button_F7F9796C_E879_530D_41D9_2920C579A318.label = Next
Button_D578C26B_E71A_47EB_41D6_CA8B7B2806D1.label = Next
Button_2C17070A_3676_F3D2_41A7_0319B48F0E2B_mobile.label = VIRTUAL EXHIBITION
Button_F64EE241_E41B_14BD_41CB_17686930EB0C.label = VIRTUAL EXHIBITION
Button_0C477DCE_3B86_7243_41BC_BA798FBC2BF2.label = ไทย
Button_48FD5101_E9BA_D0F7_41E0_6A2EC8DECF42_mobile.label = ไทย
Button_0C474DCD_3B86_7241_41C0_B610F2114B75.label = 简体中文
Button_DC849CD4_FD0B_4A5F_41E6_856BBE67B636_mobile.label = 简体中文
Button_4876CBE2_E9BA_D735_41A8_DF0E14234C80_mobile.label = 繁體中文
Button_0C477DCC_3B86_7247_41C5_5CB47DBD3444.label = 繁體中文
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HTMLText_F4D0DF4B_E6BD_3CF9_41D1_CFB507FE59C7.html = For its 80th anniversary, ELLE celebrates the creative power of women.
31 women, 31 voices.
An anniversary marked by unique artworks.
Auctioned on November 14, 2025
by Artcurial, in Paris and online.
CHOU YI
Taiwan
"EVERY DAY IS A GOOD DAY"
130 x 97 cm | Acrylic paint
Chou Yi’s work explores confidence, strength, and the freedom for women to become whoever they aspire to be. She celebrates individuality—defying age, race, and convention—honoring the unique beauty each woman possesses. Growing up in a patriarchal society, she witnessed the struggles of women firsthand—experiences that shaped her artistic vision, making women the central theme of her work. While society has evolved, similar challenges persist, and she chooses to address them not with aggression, but with softness and quiet strength—forces she believes to be the most powerful. This piece is a tribute to the resilience and individuality of women, celebrating their courage, intelligence, and beauty at every stage of life. In an ever-evolving world, she wants her work to provide strength, support, and a sense of joy —because being a woman is truly remarkable.
CLAIRE LINDNER
France
“FEUILLE N°3”
50 x 22 x 10 cm |Ceramic
In Claire’s artistic practice, sculpture holds a central place, with ceramics naturally becoming her material of choice. Clay, soft and malleable, allows for an intuitive and unrestricted approach—like a second skin responding to touch. It is a material that engages the entire body, making the act of sculpting both physical and immersive.
This ceramic piece is the imprint of a leaf from her studio plant, commonly known as “Songe caraïbe”. Its large leaves, with vein-like patterns, inspire her as a muse. For her, the leaf symbolizes a secret garden, intimacy, and recalls the fig leaves in classical paintings. Slightly deformed during handling, the piece subtly evokes the female form. Its iridescent colors shift from deep green to reddish hues, reminiscent of a flickering flame.
ELISABETH GAROUSTE
France
“YOLANDA”
34 x 28 cm |Acrylic on metal
“JULES”
40 x 23 cm |Acrylic on metal
Elizabeth’s work is defined by her hands-on approach, shaping each piece as a unique creation. For this artwork, she played with volumes and contours to bring expressive faces to life, transforming raw material into playful, evocative forms, and reinforcing the deeply personal nature of the piece.
This work features two metal mask-shaped wall sconces, Jules and Yolanda, each brimming with character. Jules, mischievous and lively, sticks out his tongue, while Yolanda twirls, her curls caught mid-motion. Hand-painted by the artist, their metallic surfaces capture the essence of the circus—playfulness, mystery, and theatrical charm—bringing a touch of whimsy and movement into the space they inhabit.
GHIZLANE SAHLI
Morocco
“HTO32”
170 x 170 x 30 cm | Silk, plastic and metal on panel
Ghizlane uses embroidery, a craft deeply tied to women's histories across civilizations.
She reclaims a traditionally domestic art form to express contemporary ideas and to innovate with materials, scale, and texture. With the artisans who accompany her, she has developed the alvéole—a silk-covered plastic fragment, like a living cell, whose proliferation creates the fabric of her work.
Ghizlane explores femininity and intimacy, celebrating the female body with poetry and respect. Her work is not about provocation but about honoring the source of life and pleasure—the vulva. Her piece is made from embroidered plastic waste, silk threads knotted and stitched onto metal mesh—a medallion of life.
© Cédrick-Isham Calvados
HADIEH SHAFIE
Iran/USA
“DRAW/CUT/ROTATE 15”
50.8 x 40.6 cm | Pencil on museum board
Hadieh’s artwork is a deeply personal exploration of language, material, and movement, centered around the Persian word Eshgh, meaning passionate love. Using paper, ink, and colored pencils, she stretches the word into a continuous, flowing stroke, allowing its form to break and shift through pre-cut circular shapes. These circles, reminiscent of Persian vowel dots, create rhythmic patterns—like ripples or sound waves—imbuing the composition with a sense of movement and fluidity. The simplicity of the materials evokes a sense of familiarity, while the interplay of text and form invites contemplation on the depth and resonance of love —a concept the world can always embrace more of.
© Erin COLLETT
ILEANA MAGODA
Mexico
“ETERNA DÁDIVA”
33 x 50 cm | Acrylic and oil pastel on paper
“OFRENDAS ANCESTRALES”
33 x 50 cm | Acrylic and oil pastel on paper
Ileana works with simple, natural materials—acrylic paint on raw cotton or linen—where the fabric itself becomes an integral part of the artwork, sometimes visible like earth or skin. The layering process is central to her practice, with acrylic’s fast-drying quality allowing her to maintain a steady, intuitive rhythm.
Her work explores femininity through vibrant, luminous colors, where light and floral motifs play a key role. Each composition embodies transformation and freedom, celebrating the strength and fluidity of the feminine spirit.
INÉS MELIA
France
“FREED FROM DESIRE”
61 x 51 cm | Body paint – Ink - Ribbons
Inès’ "Peintures à lire” were born from two years of guerrilla-style installations in the metro, where she covered empty ad spaces with glittering curtains and handwritten messages of encouragement. Boldly pasting them up in broad daylight, trench coat on, she found that the more she tried to stay unnoticed, the more visible she became. She finally explored a more intimate format. This led to the creation of hybrid objects—somewhere between painting and sculpture—that invite the viewer to interact, even transgress. In a world where art is meant to be observed, not touched, her work dares people to break the rules.
© Laurène BOUAZIZ
JANAINA MELLO LANDINI
Brazil
“CICLOTRAMA 261”
54 x 52 x 8 cm | Various threads embroidered on linen
Embroidery and sewing have always been part of Janaina’s surroundings, but her true connection to thread came unexpectedly. Each thread had its own identity, leading her to a deeper reflection on the concept of the individual versus the whole. This idea became central to Ciclotrama, where she explores tension, movement, and connection through fiber, weaving lines that extend beyond the canvas, sealed at the back like embroidery.
This artwork belongs to the Superstrato series, emphasizing the idea of layers. Overlapping threads create a dense, intricate network—symbolizing the hidden structures that shape our realities. It resonates with ELLE’s anniversary, reflecting how the magazine has evolved beyond fashion to reveal deeper layers of society and identity.
© Mauro FIGA
KATRIN FRIDRIKS
Iceland
“WATER’S DIVINE MEMORY”
30 x 30 x 7 cm|Acrylics on canvas
Water’s Divine Memory is inspired by the Earth’s vivid blue appearance in space. Our "Blue Marble" stands as a celestial jewel, suspended in the cosmos, embraced by endless oceans and skies. Blue, the silent ruler of Earth, unites the heavens and seas, connecting all of life that began in the blue waters.
The piece echoes the thoughts of Henri Matisse ("Un certain Blue enters your Soul“) and the words of scientist Masaru Emoto, “The memory of life arrived on this earth carried by the soul of water… Water records information and distributes it throughout the Earth.”
© Catalina Sour Vasquez
LAURENCE JENKELL
France
“JENK'ELLE”
37,5 x 14 x 10 cm |Radiant iridescent plexiglas
Laurence created Jenk.ELLE, a radiant, iridescent Plexiglass sculpture titled Wrapping Bonbon Irisé. Its vibrant, shifting colors symbolize the diversity and richness of femininity. The work plays with light and movement, reflecting the energy, passion, and boldness that characterize ELLE.
She wanted the sculpture to embody both the strength and softness of women, highlighting their ability to reinvent themselves and shine in all forms. It mirrors ELLE: dynamic, luminous, and timeless.
LEE HYUN JOUNG
South Korea
“CONTEMPLATION”
128 x 96,5 cm |Korean pigments on Hanji leaf
For her artwork, Lee uses Hanji, a traditional Korean paper made from mulberry bark, used across Asia in daily life. The act of touching and forming the paper became a therapeutic process, a way to connect to her heritage and emotions.
As she paints, the paper presents challenges—small bumps that resist her brushstrokes, creating a subtle but constant tension. This struggle against the unseen obstacles of the paper mirrors the struggles in life.
For this work, light became an essential element, a presence she had never depicted before. She aimed to emphasize light, believing it’s something needed today, especially for women facing challenges. This work carries a message of hope, a beacon for strength and resilience.
MAKIKO FURUICHI
France/Japan
“RATTRAPER LE PAIN PERDU”
80 x 80 cm | Oil on canvas
Makiko’s work is inspired by people, nature, books, magazines, and museums. She is deeply influenced by the emotions and interactions found in everyday life, as well as the beauty and stories captured in the world around her.
She chose watercolor for its spontaneity—much like photography—and its practicality. For her, it feels like calligraphy, a discipline she practiced for many years in Japan. On the other hand, oil painting allows her to build a story layer by layer, much like writing a novel, giving her the space to construct depth and meaning on the canvas.
OLGA YAMEOGO
Burkina Faso/France
“FILIATION I”
130 x 90 cm | Pigments, inks, acrylic and oil on canvas
Olga’s painting was inspired by her daughters, who embody a modern, free-spirited femininity. To capture their complexity and vitality, she worked on canvas using layers of pigments, ink, acrylic, and oil paint. Each layer plays with contrast, revealing both their strength and their softness.
Painting is at the core of her practice because of its deep connection to color—a language in itself. It allows her to distance or elevate subjects that might otherwise feel intimate or intense. The energy of her gesture is just as essential, reflecting both her artistic approach and her personality. She thrives on movement, resisting limitation. When she paints, she throws herself into the process—discarding, dancing, singing—letting creativity take over.
© Aurélie Jocelyn Tiffy
RAMONA NORDAL
Canada
“DREAM MACHINE”
122 x 122 cm | Acrylic, threads and mixed media on canvas
Ramona primarily works with acrylic paint, Bic pen, and mulberry paper, drawn to their contrasting qualities—fluidity and precision, strength and fragility. The combination of ink and paint adds depth and complexity, while the delicate texture of mulberry paper enhances the work’s dimensionality.
For this piece, she reflected on female empowerment, a recurring theme in her art. She envisioned a bold, vibrant figure—undeniably feminine yet universally resonant. Blending facial features from the 1920s to today, she created a presence both timeless and powerful. A bird, a recurring symbol in her work, perches alongside, embodying freedom. Through rich textures, colors, and patterns, she invites viewers into a story of strength, resilience, and liberation.
SHOUROUK RHAIEM
Tunis/France
“ELLE...BRILLE!”
31 x 23,5 cm | Strass on magazine on paper
In her artistic practice, Shourouk Rhaiem elevates ordinary products to the status of precious artifacts – adorned and revered, like jewels. It’s a playful and tender way to explore the poetry and illusion behind the promises of advertising, especially from the 1980s and 1990s, which deeply inspire her work.
For the 80th anniversary of ELLE, she chose to make the magazine itself the object of admiration. As a teenager, she secretly borrowed her mother’s copies, captivated by their glamour and what they promised. To honor that emotion, she transformed a vintage 1970s issue into a dazzling sculpture, covering it with thousands of Swarovski crystals.
This sparkling piece is both homage and transformation – a tribute to the magazine that made generations of women dream, and a literal illumination of the iconic ELLE woman: stylish, effortless, and free.
LAURENCE JENKELL
France
“JENK'ELLE”
37,5 x 14 x 10 cm | Radiant iridescent plexiglas
Laurence created Jenk.ELLE, a radiant, iridescent Plexiglass sculpture titled Wrapping Bonbon Irisé. Its vibrant, shifting colors symbolize the diversity and richness of femininity. The work plays with light and movement, reflecting the energy, passion, and boldness that characterize ELLE.
She wanted the sculpture to embody both the strength and softness of women, highlighting their ability to reinvent themselves and shine in all forms. It mirrors ELLE: dynamic, luminous, and timeless.
CLAIRE LINDNER
France
“FEUILLE N°3”
50 x 22 x 10 cm |Ceramic
In Claire’s artistic practice, sculpture holds a central place, with ceramics naturally becoming her material of choice. Clay, soft and malleable, allows for an intuitive and unrestricted approach—like a second skin responding to touch. It is a material that engages the entire body, making the act of sculpting both physical and immersive.
This ceramic piece is the imprint of a leaf from her studio plant, commonly known as “Songe caraïbe”. Its large leaves, with vein-like patterns, inspire her as a muse. For her, the leaf symbolizes a secret garden, intimacy, and recalls the fig leaves in classical paintings. Slightly deformed during handling, the piece subtly evokes the female form. Its iridescent colors shift from deep green to reddish hues, reminiscent of a flickering flame.
FUH-MI
Japan
"JOURNEY"
103 x 9 x 9 cm | Ink on Japanese paper
Journey represents the phases and transitions of Fuh-Mi’s life. The bold line beginning in the upper left symbolizes her early years of achievement, while its gradual break reflects the doubts and struggles faced when confronting life’s complexities. From these ruptures, a moment of enlightenment emerges, allowing the line to flow freely, embracing imperfection and self-discovery.
This piece is an invitation for viewers to reflect on their own journeys. Embedded are three quotes by Coco Chanel, written in a flowing, vertical style inspired by Japanese calligraphy:
1. “To be irreplaceable, one must be different.”
2. “Nature gives you the face you have at twenty; life shapes the face you have at thirty, but at fifty, you get the face you deserve.”
3. “My life wasn’t fun, so I created my life.”
Through Journey, she honors Chanel’s legacy and celebrates transformation—reminding us that we both walk and create our own paths.
© Naoko portrait
GHIZLANE SAHLI
Morocco
“HTO32”
170 x 170 x 30 cm | Silk, plastic and metal on panel
Ghizlane uses embroidery, a craft deeply tied to women's histories across civilizations.
She reclaims a traditionally domestic art form to express contemporary ideas and to innovate with materials, scale, and texture. With the artisans who accompany her, she has developed the alvéole—a silk-covered plastic fragment, like a living cell, whose proliferation creates the fabric of her work.
Ghizlane explores femininity and intimacy, celebrating the female body with poetry and respect. Her work is not about provocation but about honoring the source of life and pleasure—the vulva. Her piece is made from embroidered plastic waste, silk threads knotted and stitched onto metal mesh—a medallion of life.
© Cédrick-Isham Calvados
INÉS MELIA
France
“FREED FROM DESIRE”
51 x 61 cm |Body paint – Ink - Ribbons
Inès’ "Peintures à lire” were born from two years of guerrilla-style installations in the metro, where she covered empty ad spaces with glittering curtains and handwritten messages of encouragement. Boldly pasting them up in broad daylight, trench coat on, she found that the more she tried to stay unnoticed, the more visible she became. She finally explored a more intimate format. This led to the creation of hybrid objects—somewhere between painting and sculpture—that invite the viewer to interact, even transgress. In a world where art is meant to be observed, not touched, her work dares people to break the rules.
© Laurène BOUAZIZ
JANAINA MELLO LANDINI
Brazil
“CICLOTRAMA 261”
54 x 52 x 8 cm | Various threads embroidered on linen
Embroidery and sewing have always been part of Janaina’s surroundings, but her true connection to thread came unexpectedly. Each thread had its own identity, leading her to a deeper reflection on the concept of the individual versus the whole. This idea became central to Ciclotrama, where she explores tension, movement, and connection through fiber, weaving lines that extend beyond the canvas, sealed at the back like embroidery.
This artwork belongs to the Superstrato series, emphasizing the idea of layers. Overlapping threads create a dense, intricate network—symbolizing the hidden structures that shape our realities. It resonates with ELLE’s anniversary, reflecting how the magazine has evolved beyond fashion to reveal deeper layers of society and identity.
© Mauro FIGA
ELISABETH GAROUSTE
France
“YOLANDA”
34 x 28 cm | Acrylic on metal
“JULES”
40 x 23 cm | Acrylic on metal
Elisabeth’s work is defined by her hands-on approach, shaping each piece as a unique creation. For this artwork, she played with volumes and contours to bring expressive faces to life, transforming raw material into playful, evocative forms, and reinforcing the deeply personal nature of the piece.
This work features two metal mask-shaped wall sconces, Jules and Yolanda, each brimming with character. Jules, mischievous and lively, sticks out his tongue, while Yolanda twirls, her curls caught mid-motion. Hand-painted by the artist, their metallic surfaces capture the essence of the circus—playfulness, mystery, and theatrical charm—bringing a touch of whimsy and movement into the space they inhabit.
ANASTASIA SAMOYLOVA
USA
“TOURIST IN SOUTH BEACH”
41 x51 cm | Photography on paper
Anastasia embraces a process-driven approach, treating photography as a fluid and evolving medium. FloodZone, her most expansive project, began after she moved to Miami in 2016 and encountered the city’s striking contrast between tropical beauty and environmental fragility. Through observational photography, she captures the tension between urban development, and the looming environmental threats. she researches visual trends, collecting and analyzing images of landscapes and urban spaces.
For her, images are materials. She treats photography as an evolving dialogue, exploring its interaction with sculpture, installation, and digital culture.
ANGELA DE LA CRUZ
Spain
“UNTITLED (FOLD) GREEN”
70 x 51 x 7 cm | Oil on canvas
Much of her work is inspired by fashion, particularly the concept of the fold.
Whether in a garment or a painting, a fold is a crease, a bend, either intentional or natural. It also appears in the human body, a reminder of the body’s own fragility and transformation—something she constantly considers. She finds beauty in the elasticity of fabric, in how it can be stretched, twisted, and manipulated, much like the human body itself.
© Ione Saizar
CACHETEJACK
Spain
“WAVY MOOD”
80 x 80 cm | Oil on canvas
This painting is part of The Newsun series, a collection of moments when the world feels new again. Wavy Mood captures the ebb and flow of sensation— refreshing, embodied experiences like sunlight warming your skin, a gentle breeze in the air, the sea’s cool embrace shifting your mood. A celebration of sensation, presence, and renewal.
FRANCOISE PETROVITCH
France
“DANS MES MAINS”
50 x 40 cm | Ink wash on paper
Françoise’s practice moves fluidly between drawing, ceramics, glass, and painting, each medium carrying the same energy and intent. Over time, the boundaries between mediums blurred—ideas shift from sketches to sculptures and back again, flowing seamlessly.
Her ink on paper captures a fleeting yet profound moment—a young woman, tenderly cradling a dark-hued animal in her hands. The contrast between the deep shadows of the creature and the delicate red pencil lines of the figure creates a striking balance. Subtle pink tones add depth, enhancing the tenderness of the scene. Though still, the piece conveys movement, a silent exchange of warmth, care, and emotion through gaze and gesture.
© Hervé PLUMET - Courtesy Semiose, Paris
FUH-MI
Japan
“JOURNEY”
103 x 9 x 9 cm | Ink on Japanese paper
Journey represents the phases and transitions of Fuh-Mi’s life. The bold line beginning in the upper left symbolizes her early years of achievement, while its gradual break reflects the doubts and struggles faced when confronting life’s complexities. From these ruptures, a moment of enlightenment emerges, allowing the line to flow freely, embracing imperfection and self-discovery.
This piece is an invitation for viewers to reflect on their own journeys. Embedded are three quotes by Coco Chanel, written in a flowing, vertical style inspired by Japanese calligraphy:
1. “To be irreplaceable, one must be different.”
2. “Nature gives you the face you have at twenty; life shapes the face you have at thirty, but at fifty, you get the face you deserve.”
3. “My life wasn’t fun, so I created my life.”
Through Journey, she honors Chanel’s legacy and celebrates transformation—reminding us that we both walk and create our own paths.
© Naoko portrait
IRENE CATTANEO
Italy
“MON AMIE LA ROSE”
39 x 40 x 35 cm | Rose sculpture in murano glass and casted bronze
Named after Françoise Hardy’s 1964 song Mon Amie La Rose—the year Irene’s mother was born—this piece reflects on impermanence. The song’s delicate rose symbolizes fleeting beauty and the passage of time, themes that resonate deeply with her.
When invited to create something connected to ELLE and what it represents, she was drawn to the idea of beauty as both ephemeral and enduring.
Created in 2024, the year of Hardy’s passing, this work is a tribute—to the song, to Hardy herself, and, in a personal way, to her mother. More than a musician, Hardy’s poetic lyrics, airy voice, and timeless style made her a cultural icon. Through music, fashion, and intellect, she reshaped modern femininity, leaving an indelible mark.
JOANA VASCONCELOS
Portugal
“VEGA”
13 x 39 x 34 cm | Rafael Bordalo Pinheiro faience painted in acrylic, handmade cotton crochet
Joana revisits and transforms faience animal sculptures originally designed by 19th-century Portuguese artist Raphael Bordalo Pinheiro whose representations of creatures are both familiar and unsettling, Pinheiro's animals are reimagined here through a bold, contemporary lens.
She wraps the animal in vibrant crochet, a material traditionally tied to domesticity and femininity. This act of covering—at once protective and confining—creates a powerful tension. Is this creature being comforted, restrained, or preserved? The crochet becomes a second skin, blurring the lines between softness and danger, wildness and control.
Through this playful yet profound gesture, she invites us to question the boundaries between art and craft, past and present, nature and nurture. As in much of her work, she draws on popular and traditional forms to challenge hierarchies and celebrate a uniquely feminine power—resilient, tactile, and beautifully subversive.
©Arlindo Camacho
MARCELLA BARCELO
Spain
“ROOST”
65 x 51 cm | Watercolor and pigment on paper
Stories of wild children—raised by wolves, nurtured by bears—have long captured Marcella’s imagination. From Truffaut’s L’Enfant Sauvage to Miyazaki’s Princess Mononoke, these tales offer us a different way of seeing the world, of understanding life and otherness.
In this piece, Marcella envisions a new kind of family, one not bound to the earth but soaring among the birds. What wisdom, what worldview might emerge from a life shaped by the sky?
© Claire O'keefe
MARI ITO
Japan
“ORIGIN OF DESIRE - A FLOWER BOMB FOR OURSELVES 80 YEARS INTO THE FUTURE”
180 x 120 cm | Wood panel, Japanese paper Oguni washi, pigmento, Sumi, Nikawa glue
For her artwork, Mari reflected on the 80th anniversary of ELLE and the world of 1945, when the war ended. She imagined women of that era yearning for freedom and independence, holding onto dreams for a brighter future. She believes ELLE was a magazine that visualized these dreams, serving as a beacon of hope. To honor this legacy, she created a piece that symbolizes gratitude for ELLE.
Yet wars persist, and suffering continues. She believes that for gratitude to transcend time, we must first desire peace. She chose the title “Flower Bomb” to make a powerful statement — reminding us that no more bombs should be dropped, nor nuclear weapons used. This work is both a tribute to the past and a prayer for peace for future generations.
MARION CHARLET
France
“BISOUS, MARGUERITES, SUPERCHERIS”
160 x 130 cm | Acrylic on canvas - No frame as the sides are painted
This work, part of the Gourmandes Vanités series (2023-2024), explores themes of indulgence, seduction, and vanity with a distinctly pop, contemporary and feminine touch. It could just as easily have been called La Vie en Rose, as it draws from contemporary banquet imagery—gourmet, spring-like, and playful. The title Supercheris plays on the word "supercherie" (deception), nodding to love, sensuality, and the delicate meeting of bodies. A playful yet profound exploration of desire and illusion.
MIA CHAPLIN
South Africa
“ALARM”
44 x 56 cm | Oil on canvas
Inspired by a photograph Mia took during a hike in Namibia’s Fish River Canyon, Alarm captures a moment of raw freedom—friends skinny-dipping in a secluded pool, immersed in nature. That journey, with its endless swims and vast landscapes, awakened a deep sense of connection to the wild. This piece reflects both the exhilaration and vulnerability of being truly exposed to the elements.
NTOMBEPHI NTOBELA
South Africa
“THE REFLECTIONS OF THE DANCERS IN PARIS”
100 x 100 cm | Beads on fabric mounted on stretcher
Each Ndwango is a fusion of emotion, history, and artistic vision, transforming personal experience into art. For Ntombephi, blue symbolizes unity and life—"We are all made of water; it connects all living things.“ She draws inspiration from the rhythm of life in Africa, where dance and movement are inseparable—like trees swaying in the wind, impossible to resist. Deeply moved by Marc Chagall’s paintings, she found a connection in his luminous blues and the opulence of gold, reminiscent of Africa’s sunsets. The dancers along the Seine reminded her of those in her village, moving by the river as they gathered water or simply for joy.
Her Ndwango transcends language and culture; with flowing curves and celestial reflections, the piece celebrates confidence, connection, and the beauty of movement.
PIA-MARIA RAEDER
Germany
“SEA ANEMONE 1 (PINK)”
52 x 74 x 60cm | 8.000 pink lacquered beech rods, mirror glass top on concrete base
Pia-Maria wanted to donate a piece that embodies her artistic vision—one that celebrates the strength, beauty, and joy of being a woman.
Her work blends art and design, transforming materials into unexpected forms. She loves working with wood, metals, and glass, always striving for sustainability and minimal waste. While she rarely uses color, she chose bold pink for ELLE’s 80th anniversary, transforming her Sea Anemone Side Table, usually lacquered in white, into a statement of power and confidence. Pink has evolved from tradition to rebellion; from Elsa Schiaparelli’s “shocking pink” to iconic cultural moments—from Marilyn Monroe to the Women’s March—pink has continuously redefined itself. With this piece, she hopes to inspire a moment of reflection—a reminder that beauty and strength exist in both nature and ourselves.
SACHA FLOOCH-POLIAKOFF
France
“1946-1976-1996”
108 x 83 cm each | Acrylic on wood (Triptych)
This work continues a series begun in 2022, featuring large black-and-white everyday objects cut from poplar wood and painted in a graphic, ligne claire style. The oversized objects evoke a sense of being in the world of Alice in Wonderland.
For this piece, created for ELLE, she chose three magazine covers from different eras: one from 1946 with a René Gruau illustration, one from 1976 representing the 60s-70s style, and one from 1996, the year of her birth, reflecting the golden age of supermodels. These covers, part of her personal iconography, illustrate the passage of time through ELLE.
© Sacha Floch Poliakoff, 2022
VALERIE FAVRE
Switzerland
“POUR ELLE, FOR HER, FÜR SIE”
50 x 40 cm | Tissue, tracing paper, black tea and graphite on paper
Valérie painted the Earth on a tissue with black tea. The word ELLE, inspired by the magazine's title, is sketched on a piece of tracing paper turned upside down, paying homage to the publication. The same word “elle” also refers to our planet, fragile and symbolic of collectives, the exchanges between humans, information flows, biodiversity, and everything that connects us.
© Severine OPPLIGER
ANASTASIA SAMOYLOVA
USA
“TOURIST IN SOUTH BEACH”
41 x51 cm | Photography on paper
Anastasia embraces a process-driven approach, treating photography as a fluid and evolving medium. FloodZone, her most expansive project, began after she moved to Miami in 2016 and encountered the city’s striking contrast between tropical beauty and environmental fragility. Through observational photography, she captures the tension between urban development, and the looming environmental threats. she researches visual trends, collecting and analyzing images of landscapes and urban spaces.
For her, images are materials. She treats photography as an evolving dialogue, exploring its interaction with sculpture, installation, and digital culture.
ARAVANI ART PROJECT
India - Painted by Purushi and Sadha
“IN FULL BLOOM”
61 x 92 cm | Acrylic
The Aravani Art Project uses murals and public art to reclaim visibility for trans and marginalized communities. By painting on shared spaces, they challenge stigma, foster dialogue, and bring trans narratives into the public eye.
CHOU YI
Taiwan
"EVERY DAY IS A GOOD DAY"
130 x 97 cm | Acrylic paint
Chou Yi’s work explores confidence, strength, and the freedom for women to become whoever they aspire to be. She celebrates individuality—defying age, race, and convention—honoring the unique beauty each woman possesses. Growing up in a patriarchal society, she witnessed the struggles of women firsthand—experiences that shaped her artistic vision, making women the central theme of her work. While society has evolved, similar challenges persist, and she chooses to address them not with aggression, but with softness and quiet strength—forces she believes to be the most powerful. This piece is a tribute to the resilience and individuality of women, celebrating their courage, intelligence, and beauty at every stage of life. In an ever-evolving world, she wants her work to provide strength, support, and a sense of joy —because being a woman is truly remarkable.
FRANCOISE PETROVITCH
France
“DANS MES MAINS”
50 x 40 cm | Ink wash on paper
Françoise’s practice moves fluidly between drawing, ceramics, glass, and painting, each medium carrying the same energy and intent. Over time, the boundaries between mediums blurred—ideas shift from sketches to sculptures and back again, flowing seamlessly.
Her ink on paper captures a fleeting yet profound moment—a young woman, tenderly cradling a dark-hued animal in her hands. The contrast between the deep shadows of the creature and the delicate red pencil lines of the figure creates a striking balance. Subtle pink tones add depth, enhancing the tenderness of the scene. Though still, the piece conveys movement, a silent exchange of warmth, care, and emotion through gaze and gesture.
© Hervé PLUMET - Courtesy Semiose, Paris
HADIEH SHAFIE
Iran/USA
“DRAW/CUT/ROTATE 15”
50.8 x 40.6 cm | Pencil on museum board
Hadieh’s artwork is a deeply personal exploration of language, material, and movement, centered around the Persian word Eshgh, meaning passionate love. Using paper, ink, and colored pencils, she stretches the word into a continuous, flowing stroke, allowing its form to break and shift through pre-cut circular shapes. These circles, reminiscent of Persian vowel dots, create rhythmic patterns—like ripples or sound waves—imbuing the composition with a sense of movement and fluidity. The simplicity of the materials evokes a sense of familiarity, while the interplay of text and form invites contemplation on the depth and resonance of love —a concept the world can always embrace more of.
© Erin COLLETT
ILEANA MAGODA
Mexico
“ETERNA DÁDIVA”
33 x 50 cm|Acrylic and oil pastel on paper
“OFRENDAS ANCESTRALES”
33 x 50 cm |Acrylic and oil pastel on paper
Ileana works with simple, natural materials—acrylic paint on raw cotton or linen—where the fabric itself becomes an integral part of the artwork, sometimes visible like earth or skin. The layering process is central to her practice, with acrylic’s fast-drying quality allowing her to maintain a steady, intuitive rhythm.
Her work explores femininity through vibrant, luminous colors, where light and floral motifs play a key role. Each composition embodies transformation and freedom, celebrating the strength and fluidity of the feminine spirit.
JOANA VASCONCELOS
Portugal
“VEGA”
13 x 39 x 34 cm | Rafael Bordalo Pinheiro faience painted in acrylic, handmade cotton crochet
Joana revisits and transforms faience animal sculptures originally designed by 19th-century Portuguese artist Raphael Bordalo Pinheiro whose representations of creatures are both familiar and unsettling, Pinheiro's animals are reimagined here through a bold, contemporary lens.
She wraps the animal in vibrant crochet, a material traditionally tied to domesticity and femininity. This act of covering—at once protective and confining—creates a powerful tension. Is this creature being comforted, restrained, or preserved? The crochet becomes a second skin, blurring the lines between softness and danger, wildness and control.
Through this playful yet profound gesture, she invites us to question the boundaries between art and craft, past and present, nature and nurture. As in much of her work, she draws on popular and traditional forms to challenge hierarchies and celebrate a uniquely feminine power—resilient, tactile, and beautifully subversive.
©Arlindo Camacho
MARCELLA BARCELO
Spain
“ROOST”
65 x 51 cm | Watercolor and pigment on paper
Stories of wild children—raised by wolves, nurtured by bears—have long captured Marcella’s imagination. From Truffaut’s L’Enfant Sauvage to Miyazaki’s Princess Mononoke, these tales offer us a different way of seeing the world, of understanding life and otherness.
In this piece, Marcella envisions a new kind of family, one not bound to the earth but soaring among the birds. What wisdom, what worldview might emerge from a life shaped by the sky?
© Claire O'keefe
MARI ITO
Japan
“ORIGIN OF DESIRE - A FLOWER BOMB FOR OURSELVES 80 YEARS INTO THE FUTURE”
180 x 120 cm | Wood panel, Japanese paper Oguni washi, pigmento, Sumi, Nikawa glue
For her artwork, Mari reflected on the 80th anniversary of ELLE and the world of 1945, when the war ended. She imagined women of that era yearning for freedom and independence, holding onto dreams for a brighter future. She believes ELLE was a magazine that visualized these dreams, serving as a beacon of hope. To honor this legacy, she created a piece that symbolizes gratitude for ELLE.
Yet wars persist, and suffering continues. She believes that for gratitude to transcend time, we must first desire peace. She chose the title “Flower Bomb” to make a powerful statement — reminding us that no more bombs should be dropped, nor nuclear weapons used. This work is both a tribute to the past and a prayer for peace for future generations.
NTOMBEPHI NTOBELA
South Africa
“THE REFLECTIONS OF THE DANCERS IN PARIS”
65 × 46.5 cm | Beads on fabric mounted on stretcher
Each Ndwango is a fusion of emotion, history, and artistic vision, transforming personal experience into art. For Ntombephi, blue symbolizes unity and life—"We are all made of water; it connects all living things.“ She draws inspiration from the rhythm of life in Africa, where dance and movement are inseparable—like trees swaying in the wind, impossible to resist. Deeply moved by Marc Chagall’s paintings, she found a connection in his luminous blues and the opulence of gold, reminiscent of Africa’s sunsets. The dancers along the Seine reminded her of those in her village, moving by the river as they gathered water or simply for joy.
Her Ndwango transcends language and culture; with flowing curves and celestial reflections, the piece celebrates confidence, connection, and the beauty of movement.
OLGA YAMEOGO
Burkina Faso/France
“FILIATION I”
130 x 90 cm | Pigments, inks, acrylic and oil on canvas
Olga’s painting was inspired by her daughters, who embody a modern, free-spirited femininity. To capture their complexity and vitality, she worked on canvas using layers of pigments, ink, acrylic, and oil paint. Each layer plays with contrast, revealing both their strength and their softness.
Painting is at the core of her practice because of its deep connection to color—a language in itself. It allows her to distance or elevate subjects that might otherwise feel intimate or intense. The energy of her gesture is just as essential, reflecting both her artistic approach and her personality. She thrives on movement, resisting limitation. When she paints, she throws herself into the process—discarding, dancing, singing—letting creativity take over.
© Aurélie Jocelyn Tiffy
PIA-MARIA RAEDER
Germany
“SEA ANEMONE 1 (PINK)”
52 x 74 x 60cm | 8.000 pink lacquered beech rods, mirror glass top on concrete base
Pia-Maria wanted to donate a piece that embodies her artistic vision—one that celebrates the strength, beauty, and joy of being a woman.
Her work blends art and design, transforming materials into unexpected forms. She loves working with wood, metals, and glass, always striving for sustainability and minimal waste. While she rarely uses color, she chose bold pink for ELLE’s 80th anniversary, transforming her Sea Anemone Side Table, usually lacquered in white, into a statement of power and confidence. Pink has evolved from tradition to rebellion; from Elsa Schiaparelli’s “shocking pink” to iconic cultural moments—from Marilyn Monroe to the Women’s March—pink has continuously redefined itself. With this piece, she hopes to inspire a moment of reflection—a reminder that beauty and strength exist in both nature and ourselves.
RAMONA NORDAL
Canada
“DREAM MACHINE”
122 x 122 cm | Acrylic, threads and mixed media on canvas
Ramona primarily works with acrylic paint, Bic pen, and mulberry paper, drawn to their contrasting qualities—fluidity and precision, strength and fragility. The combination of ink and paint adds depth and complexity, while the delicate texture of mulberry paper enhances the work’s dimensionality.
For this piece, she reflected on female empowerment, a recurring theme in her art. She envisioned a bold, vibrant figure—undeniably feminine yet universally resonant. Blending facial features from the 1920s to today, she created a presence both timeless and powerful. A bird, a recurring symbol in her work, perches alongside, embodying freedom. Through rich textures, colors, and patterns, she invites viewers into a story of strength, resilience, and liberation.
SHOUROUK RHAIEM
Tunis/France
“ELLE...BRILLE!”
31 x 23,5 cm | Strass on magazine on paper
In her artistic practice, Shourouk Rhaiem elevates ordinary products to the status of precious artifacts – adorned and revered, like jewels. It’s a playful and tender way to explore the poetry and illusion behind the promises of advertising, especially from the 1980s and 1990s, which deeply inspire her work.
For the 80th anniversary of ELLE, she chose to make the magazine itself the object of admiration. As a teenager, she secretly borrowed her mother’s copies, captivated by their glamour and what they promised. To honor that emotion, she transformed a vintage 1970s issue into a dazzling sculpture, covering it with thousands of Swarovski crystals.
This sparkling piece is both homage and transformation – a tribute to the magazine that made generations of women dream, and a literal illumination of the iconic ELLE woman: stylish, effortless, and free.
LEE HYUN JOUNG
South Korea
“CONTEMPLATION”
128 x 96,5 cm |Korean pigments on Hanji leaf
For her artwork, Lee uses Hanji, a traditional Korean paper made from mulberry bark, used across Asia in daily life. The act of touching and forming the paper became a therapeutic process, a way to connect to her heritage and emotions.
As she paints, the paper presents challenges—small bumps that resist her brushstrokes, creating a subtle but constant tension. This struggle against the unseen obstacles of the paper mirrors the struggles in life.
For this work, light became an essential element, a presence she had never depicted before. She aimed to emphasize light, believing it’s something needed today, especially for women facing challenges. This work carries a message of hope, a beacon for strength and resilience.
MAKIKO FURUICHI
France/Japan
“RATTRAPER LE PAIN PERDU”
80 x 80 cm |Oil on canvas
Makiko’s work is inspired by people, nature, books, magazines, and museums. She is deeply influenced by the emotions and interactions found in everyday life, as well as the beauty and stories captured in the world around her.
She chose watercolor for its spontaneity—much like photography—and its practicality. For her, it feels like calligraphy, a discipline she practiced for many years in Japan. On the other hand, oil painting allows her to build a story layer by layer, much like writing a novel, giving her the space to construct depth and meaning on the canvas.
CACHETEJACK
Spain
“WAVY MOOD”
80 x 80 cm | Oil on canvas
This painting is part of The Newsun series, a collection of moments when the world feels new again. Wavy Mood captures the ebb and flow of sensation— refreshing, embodied experiences like sunlight warming your skin, a gentle breeze in the air, the sea’s cool embrace shifting your mood. A celebration of sensation, presence, and renewal.
MIA CHAPLIN
South Africa
“ALARM”
44 x 56 cm | Oil on canvas
Inspired by a photograph Mia took during a hike in Namibia’s Fish River Canyon, Alarm captures a moment of raw freedom—friends skinny-dipping in a secluded pool, immersed in nature. That journey, with its endless swims and vast landscapes, awakened a deep sense of connection to the wild. This piece reflects both the exhilaration and vulnerability of being truly exposed to the elements.
SACHA FLOOCH-POLIAKOFF
France
“1946-1976-1996”
108 x 83 cm each | Acrylic on wood (Triptych)
This work continues a series begun in 2022, featuring large black-and-white everyday objects cut from poplar wood and painted in a graphic, ligne claire style. The oversized objects evoke a sense of being in the world of Alice in Wonderland.
For this piece, created for ELLE, she chose three magazine covers from different eras: one from 1946 with a René Gruau illustration, one from 1976 representing the 60s-70s style, and one from 1996, the year of her birth, reflecting the golden age of supermodels. These covers, part of her personal iconography, illustrate the passage of time through ELLE.
© Sacha Floch Poliakoff, 2022
ANGELA DE LA CRUZ
Spain
“UNTITLED (FOLD) GREEN”
70 x 51 x 7 cm |Oil on canvas
Much of her work is inspired by fashion, particularly the concept of the fold.
Whether in a garment or a painting, a fold is a crease, a bend, either intentional or natural. It also appears in the human body, a reminder of the body’s own fragility and transformation—something she constantly considers. She finds beauty in the elasticity of fabric, in how it can be stretched, twisted, and manipulated, much like the human body itself.
© Ione Saizar
IRENE CATTANEO
Italy
“MON AMIE LA ROSE”
39 x 40 x 35 cm | Rose sculpture in murano glass and casted bronze
Named after Françoise Hardy’s 1964 song Mon Amie La Rose—the year Irene’s mother was born—this piece reflects on impermanence. The song’s delicate rose symbolizes fleeting beauty and the passage of time, themes that resonate deeply with her.
When invited to create something connected to ELLE and what it represents, she was drawn to the idea of beauty as both ephemeral and enduring.
Created in 2024, the year of Hardy’s passing, this work is a tribute—to the song, to Hardy herself, and, in a personal way, to her mother. More than a musician, Hardy’s poetic lyrics, airy voice, and timeless style made her a cultural icon. Through music, fashion, and intellect, she reshaped modern femininity, leaving an indelible mark.
KATRIN FRIDRIKS
Iceland
“WATER’S DIVINE MEMORY”
30 x 30 x 7 cm|Acrylics on canvas
Water’s Divine Memory is inspired by the Earth’s vivid blue appearance in space. Our "Blue Marble" stands as a celestial jewel, suspended in the cosmos, embraced by endless oceans and skies. Blue, the silent ruler of Earth, unites the heavens and seas, connecting all of life that began in the blue waters.
The piece echoes the thoughts of Henri Matisse ("Un certain Blue enters your Soul“) and the words of scientist Masaru Emoto, “The memory of life arrived on this earth carried by the soul of water… Water records information and distributes it throughout the Earth.”
© Catalina Sour Vasquez
MARION CHARLET
France
“BISOUS, MARGUERITES, SUPERCHERIS”
160 x 130 cm | Acrylic on canvas - No frame as the sides are painted
This work, part of the Gourmandes Vanités series (2023-2024), explores themes of indulgence, seduction, and vanity with a distinctly pop, contemporary and feminine touch. It could just as easily have been called La Vie en Rose, as it draws from contemporary banquet imagery—gourmet, spring-like, and playful. The title Supercheris plays on the word "supercherie" (deception), nodding to love, sensuality, and the delicate meeting of bodies. A playful yet profound exploration of desire and illusion.
VALERIE FAVRE
Switzerland
“POUR ELLE, FOR HER, FÜR SIE”
50 x 40 cm | Tissue, tracing paper, black tea and graphite on paper
Valérie painted the Earth on a tissue with black tea. The word ELLE, inspired by the magazine's title, is sketched on a piece of tracing paper turned upside down, paying homage to the publication. The same word “elle” also refers to our planet, fragile and symbolic of collectives, the exchanges between humans, information flows, biodiversity, and everything that connects us.
© Severine OPPLIGER
For its 80th anniversary, ELLE celebrates the creative power of women.
31 women, 31 voices.
An anniversary marked by unique artworks.
Auctioned on November 14, 2025
by Artcurial, in Paris and online.
For more enquiries, please email:
For more enquiries, please email:
ARAVANI ART PROJECT
India - Painted by Purushi and Sadha
“IN FULL BLOOM”
61 x 92 cm | Acrylic
The Aravani Art Project uses murals and public art to reclaim visibility for trans and marginalized communities. By painting on shared spaces, they challenge stigma, foster dialogue, and bring trans narratives into the public eye.
Celebrating women in art, an auction 100% benefiting NGO CARE France.
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Celebrating women in art, an auction 100% benefeting NGO CARE France.